España is a series of abstract compositions that channel the elegance, rhythm, and legacy of Spain’s Golden Age. With metallic accents of gold and silver layered over warm earthen hues, each piece evokes the richness of Andalusian architecture, sunbaked landscapes, and cultural heritage.

The works are bold yet restrained — a contemporary interpretation of historic splendor rendered through minimal geometry and timeless symmetry. Familiar and mysterious at once, the España series invites both contemplation and curiosity.

These abstracts evoke the mystery of ancient Aztec architectural forms and the contrasts between simple and elegant versus bold and powerful.
The Aztecan city of Tenochtitlan would become the world's largest city by the 16th century, and the seat of an expansive empire. Important features of the city included a the royal palace, a central plaza, temples, shrines, pyramids, courtyards, lush gardens, and even ball courts. While construction initiatives were limited to primitive tools and manual labor, their engineers had deployed precise mathematical techniques based on a "vigesimal" system, which is only now being understood by modern archaeologists.
Part 2 of 2

These abstracts evoke the mystery of ancient Aztec architectural forms and the contrasts between simple and elegant versus bold and powerful.
The Aztecan city of Tenochtitlan would become the world's largest city by the 16th century, and the seat of an expansive empire. Important features of the city included a the royal palace, a central plaza, temples, shrines, pyramids, courtyards, lush gardens, and even ball courts. While construction initiatives were limited to primitive tools and manual labor, their engineers had deployed precise mathematical techniques based on a "vigesimal" system, which is only now being understood by modern archaeologists.
Part 2 of 2

Jade Color Study is a meditative exploration of tone, symmetry, and texture—an abstract composition that balances muted greens, soft blushes, and warm neutrals in quiet conversation. With its layered blocks and softly blurred edges, the piece suggests structure without rigidity—like a memory of architecture dissolved in light and pigment.

This study invites the viewer to slow down and observe how color breathes across a surface. The gentle interplay of jade and earthen hues creates a sense of grounded calm, evoking the timelessness of natural stone and the simplicity of intentional form. A quiet composition with lasting presence.

Lower Garden District is a paired abstract series inspired by the quiet renaissance of one of New Orleans' most storied neighborhoods. Named for the streets Constance and Thalia, these works layer soft geometric forms with weathered brushstrokes, echoing the shifting architecture and evolving spirit of the district.

Pale gold and dusty blue emerge from earthen shadows, suggesting rebirth through light, space, and memory. Together, the compositions reflect both the city's rooted past and its graceful step into the present.

Lower Garden District is a paired abstract series inspired by the quiet renaissance of one of New Orleans' most storied neighborhoods. Named for the streets Constance and Thalia, these works layer soft geometric forms with weathered brushstrokes, echoing the shifting architecture and evolving spirit of the district.

Pale gold and dusty blue emerge from earthen shadows, suggesting rebirth through light, space, and memory. Together, the compositions reflect both the city's rooted past and its graceful step into the present.

As a color, turquoise is a blend of blue and green, having both cool and calming attributes. It is associated with refreshment, feminine, calming, sophisticated, energy, wisdom, serenity wholeness, creativity, friendship, love, joy, intuition, and loyalty. The golden mandala symbolizes love and faithfulness supreme within this assuring foundation.
This abstract series is dedicated to Duchess Anna Amalia (1739-1807). As an affluent noble and influential patroness of art and literature, grand-daughter of Frederick the Great of Prussia, Anna Amalia cultivated and supported many of the greatest minds of European theatre—most notably Johann Wolfgang von Goethe and Friedrich Schiller (whose poem “An die Freude” formed the nucleus of Beethoven’s 9th Symphony). As an 18th century inspiration for many women to follow, Anna Amalia founded a theatrical company, was a notable symphonic composer, and endowed a library which is now home to over 1,000,000 volumes.

As a color, turquoise is a blend of blue and green, having both cool and calming attributes. It is associated with refreshment, feminine, calming, sophisticated, energy, wisdom, serenity wholeness, creativity, friendship, love, joy, intuition, and loyalty. The golden mandala symbolizes love and faithfulness supreme within this assuring foundation.
This abstract series is dedicated to Duchess Anna Amalia (1739-1807). As an affluent noble and influential patroness of art and literature, grand-daughter of Frederick the Great of Prussia, Anna Amalia cultivated and supported many of the greatest minds of European theatre—most notably Johann Wolfgang von Goethe and Friedrich Schiller (whose poem “An die Freude” formed the nucleus of Beethoven’s 9th Symphony). As an 18th century inspiration for many women to follow, Anna Amalia founded a theatrical company, was a notable symphonic composer, and endowed a library which is now home to over 1,000,000 volumes.

The Quadratic Map series explores the geometry of emotion through the quiet tension of repetition, line, and restraint. Composed in cool lavenders and slate blues, each panel hints at structure—grids and frames suspended in soft opacity—interrupted by fine accents of gold that suggest energy moving beneath the surface. These compositions evoke architectural blueprints or celestial charts, yet remain open to interpretation: a meditation on space, order, and the beauty of mathematical imperfection. Together, the pair feels both deliberate and intuitive—like echoes from a dream rendered in light and logic.
A two-part abstract series grounded in balance and curiosity.

The Quadratic Map series explores the geometry of emotion through the quiet tension of repetition, line, and restraint. Composed in cool lavenders and slate blues, each panel hints at structure—grids and frames suspended in soft opacity—interrupted by fine accents of gold that suggest energy moving beneath the surface. These compositions evoke architectural blueprints or celestial charts, yet remain open to interpretation: a meditation on space, order, and the beauty of mathematical imperfection. Together, the pair feels both deliberate and intuitive—like echoes from a dream rendered in light and logic.
A two-part abstract series grounded in balance and curiosity.

Rain Flowers is a delicate abstraction where floral forms meet the rhythm of falling rain. Hazy blues, soft lavenders, and muted greys drift across the canvas like petals caught in a downpour—suspended, dissolving, and blooming all at once. Geometric elements rise like stems or banners, grounding the composition in subtle order while wisps of draped arcs above suggest gentle movement, like rain sliding from leaves or fabric strung in the breeze.

Both serene and layered with hidden detail, this piece invites contemplation—a visual poem of renewal, fragility, and quiet celebration. A gentle tribute to the beauty that emerges when sky meets earth.

The Rose Quartz series is a four-part exploration of harmony, softness, and quiet strength, rendered through interlocking forms and a serene palette of blush pinks, soft whites, muted greens, and pale greys. Named Luna, Serena, Thaia, and Vesta, each piece stands as a unique expression—like facets of the same stone—yet together they form a cohesive meditation on balance and inner peace.

Inspired by the gentle energy of the rose quartz crystal, long associated with love, healing, and compassion, this series invites reflection and calm. The geometric compositions are softened by painterly edges and subtle shifts in tone, evoking architecture, memory, and emotion all at once. Whether displayed as a complete set or individually, these works radiate a quiet, timeless beauty.

The Rose Quartz series is a four-part exploration of harmony, softness, and quiet strength, rendered through interlocking forms and a serene palette of blush pinks, soft whites, muted greens, and pale greys. Named Luna, Serena, Thaia, and Vesta, each piece stands as a unique expression—like facets of the same stone—yet together they form a cohesive meditation on balance and inner peace.

Inspired by the gentle energy of the rose quartz crystal, long associated with love, healing, and compassion, this series invites reflection and calm. The geometric compositions are softened by painterly edges and subtle shifts in tone, evoking architecture, memory, and emotion all at once. Whether displayed as a complete set or individually, these works radiate a quiet, timeless beauty.

The Rose Quartz series is a four-part exploration of harmony, softness, and quiet strength, rendered through interlocking forms and a serene palette of blush pinks, soft whites, muted greens, and pale greys. Named Luna, Serena, Thaia, and Vesta, each piece stands as a unique expression—like facets of the same stone—yet together they form a cohesive meditation on balance and inner peace.

Inspired by the gentle energy of the rose quartz crystal, long associated with love, healing, and compassion, this series invites reflection and calm. The geometric compositions are softened by painterly edges and subtle shifts in tone, evoking architecture, memory, and emotion all at once. Whether displayed as a complete set or individually, these works radiate a quiet, timeless beauty.

The Rose Quartz series is a four-part exploration of harmony, softness, and quiet strength, rendered through interlocking forms and a serene palette of blush pinks, soft whites, muted greens, and pale greys. Named Luna, Serena, Thaia, and Vesta, each piece stands as a unique expression—like facets of the same stone—yet together they form a cohesive meditation on balance and inner peace.

Inspired by the gentle energy of the rose quartz crystal, long associated with love, healing, and compassion, this series invites reflection and calm. The geometric compositions are softened by painterly edges and subtle shifts in tone, evoking architecture, memory, and emotion all at once. Whether displayed as a complete set or individually, these works radiate a quiet, timeless beauty.

The Sea Glass series captures the soft luminosity and muted brilliance of weathered glass washed ashore, rendered in layered translucence and tonal restraint. Cascadia and Salinas form a tranquil dialogue between structure and surrender—each panel inviting a meditative pause as shapes dissolve gently into misted blues, mossy greens, and pearlescent greys. Inspired by coastal quietude, this two-part set evokes a kind of architectural memory submerged in salt air and time. Suggestive of both natural erosion and sacred symmetry, the compositions echo sea-worn forms softened by tide and light.
Part one and part two of a complementary diptych.

The Sea Glass series captures the soft luminosity and muted brilliance of weathered glass washed ashore, rendered in layered translucence and tonal restraint. Cascadia and Salinas form a tranquil dialogue between structure and surrender—each panel inviting a meditative pause as shapes dissolve gently into misted blues, mossy greens, and pearlescent greys. Inspired by coastal quietude, this two-part set evokes a kind of architectural memory submerged in salt air and time. Suggestive of both natural erosion and sacred symmetry, the compositions echo sea-worn forms softened by tide and light.
Part one and part two of a complementary diptych.

The Sky Lantern series explores fleeting illumination and celebratory motion through layered abstraction and weightless gesture. In Sparkler, glints of rose gold, clay, and soft teal scatter across a chalky white sky—an impression of ascending light, bursting into joyful fragments. Fountain complements it with more vertical rhythm, cascading forms and elongated strokes suggesting the ephemeral drift of rising lanterns and their descent into memory. Together, the set conjures the spirit of festivals—where fire meets air, and color momentarily defies gravity. A meditation on release, ascent, and the quiet wonder of light against the night.
A two-part series meant to evoke luminous balance.

The Sky Lantern series explores fleeting illumination and celebratory motion through layered abstraction and weightless gesture. In Sparkler, glints of rose gold, clay, and soft teal scatter across a chalky white sky—an impression of ascending light, bursting into joyful fragments. Fountain complements it with more vertical rhythm, cascading forms and elongated strokes suggesting the ephemeral drift of rising lanterns and their descent into memory. Together, the set conjures the spirit of festivals—where fire meets air, and color momentarily defies gravity. A meditation on release, ascent, and the quiet wonder of light against the night.
A two-part series meant to evoke luminous balance.

This composition is inspired by the ancient Berber seafaring city-state of Tangier. Situated opposite the Straits of Gibraltar, the city is said to be named after Tingis, the daughter of Atlas, the mythical supporter of the heavens. Founded in the 5th century BC by Carthaginian colonists from Greece, it later passed to the ancient Romans as Mauretania Tingitana and then to the Byzantine Empire. Rich orange and golden hues in this abstract evoke symbolism of warmth associated with joy, sunshine, and the Mediterranean/Saharan landscape—representing history, adventure, curiosity, and creativity.